Playing catch-up: Havergal-Electricita

Operating within the so-called trend of glitch, Havergal released one of the more interesting offerings of the genre in 2004 with their second album Elettricita. Fusing traditional indie pop songwriting with decidedly electro aesthetics, the album was part of a wave of slickly- produced pop that illustrated the undeniable influence of electro on this music style. Three years later, dozens of magazines and music blogs have picked LCD Soundsystem's Sound of Silver as their album of the year, and no one is discussing whether it's pop, electro, both, or something else.

Like a (much more) laid-back Tom Vek, one-man-band Ryan Murphy builds groovy tracks out of nothing, always letting the songs progress naturally, without trying to force them down the listener's ear. Witness Drowned Men, which starts off with overlapping guitars and subtle sound effects, then introduces a hypnotic piano riff and other varied synth layers . When the subdued beat casually drops more than 3 minutes in, you're already tapping your toes and nodding your head, willing for the beat to start, like an acoustic version to a fantastic Soulwax remix. But this album is actually much more quiet than the pulsating rythms on the first two tracks might have one believe, and exhibits a pronounced post-rock influence, with many languid tracks that feature Murphy's contemplative side (Lamafrequency, Slugs In The Sun).

One of the most particular aspects of the records is that the singing is often slowed down to a clipped drawl in tune with the beats. This could make the resulting songs sound robotic, but one-man-band Ryan Murphy has an intriguing up-and-down voice that highlights his emotions and thus, his humanity. Likewise the tracks are mostly filled with loops and feature electronic beats, but by using acoustic instruments the songs never feel programmed. Indeed many of them use the traditional intro-verse-chorus-verse structure like the most classic of pop songs. A lot of the melodies heard on these songs are simple, but the way the organic and the electronic are melded together creates an impressive work that stays with you long after the music has stopped playing.