Despite living in a city where a movie ticket costs half a kidney (only half a kidney if you're a student), I tried this year to keep my movie-going as close to my Parisian habits as I could. I probably ended up seeing a bigger proportion of big-studio movies than usual, but did manage to keep things relatively eclectic enough to not suffer from popcorn-exhaustion.
10. Sunshine (directed by Danny Boyle)
A epic feat of meditative filmmaking - until the last 20 minutes, although admittedly the ending wasn't as bad the second time around. Another stellar (hey-O!) performance by Cillian Murphy
9. Michael Clayton (Tony Gilroy)
A throwback to the politically engaged flicks Hollywood used to churn out in the 70s, this had some of the strongest ensemble acting I saw this year. Even some of the overly self-conscious aspects, such as the ending shot, do not seem too grating thanks to the calm and assured way in which the movie unfolds
8.The Bourne Supremacy (Paul Greengrass)
Edge-of-your-seat action, from start to finish. And not a single CGI shot, hurray
7. La Mome (Olivier Dahan)
Edith Piaf's story might seem too tragic, even as far as musician biopics go, yet Marion Cotillard's ballsy performance never lets this fall into MOW territory
6. I Am Legend (Francis Lawrence)
Fantastic acting by Will Smith to go along with a decent script, and some directing choices that seem bold when compared to the average blockbuster (no music during the suspenseful scenes? Yes please)
5. A Guide To Recognizing Your Saints (Dito Montiel)
Directed by first-timer Montiel, based on his book relating his childhood in the Bronx during the 80s. It all sounds self-referential, but a tremendous young cast (Shia LaBeouf and Channing Tatum in particular) and some interestingly varied directing make for a mesmerizing trip down memory lane
4.The Assassination of Jesse James By The Coward Robert Ford (Andrew Dominik)
Possibly the most beautifully-shot movie this year, the story of Jesse James' assassin unfolds ever so slowly, yet captivates throughout. Casey Affleck eclipses Brad Pitt, even though he's far from a slouch himself
3. Paranoid Park (Gus Van Sant)
Actually this might be the best-shot flick this year, thank to visual genius Christopher Doyle (he of the many Wong Kar Wai collaborations). GVS finishes up his teenagers-in-peril trilogy in style
2. The Darjeeling Limited (Wes Anderson)
I've always felt Wes Anderson's movies were quirky for the sake of being quirky, but with this tale of three brothers going on a train-trip through India, everything came together for me. Epic, touching, funny and never boring
1. We Own The Night (James Gray)
People have been hailing this as a neo-classical gem, a descendant of the kinds of movies Scorcese and De Palma used to make in their heighday. People are right, and when you consider that Gray has only made three movies in 13 years, something doesn't seem right. This deserves The Departed-level hoopla and awards, now.
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