one of my favorite musical memories of 2006 was going to the Swedish Cultural Institute for their Fete de la Musique concert. They had a bunch of Swede bands and artists, mostly folk and pop, playing in their courtyard. I went with a good buddy from my second-hand CD store days, and it was a great event, not even dampened by the semi-rainy conditions.
For some reason Sweden has been a pretty big force in the music world in the past few years, with a lot of folk-influenced artists notably. Which is good, because for a lot of people Swedish music means ABBA, and though there's a time and place for ABBA, it's not exactly the greatest thing since sliced bread (or stale one, for that matter).There are also some good rock bands out of there, like The Hives, Sahara Hotnights or the eccentric Dungen, but for me the whole Swedish folk scene has made the biggest mark. It all started in 1998 with Kristofer Astrom's brilliant Go, Went, Gone, and since then I've periodically discovered artists in that vein coming from the land of fjords, like Nicolai Dunger or Christian Kjellvander.
The newest addition to this ever-growing family is Loney, Dear. It's really one guy, called Emil Svanängen, and he makes some great pop with just a sliver of folk. I hear some Bob Wilson, some Paul Simon and others in his tunes, which is just the sort of stuff I'm looking for. He recently signed with SubPop in the US, which led them to release his new self-titled album early this month, hopefully to some success. The guy started in 2004, recording most of his stuff at home, making and selling CD-Rs of his resulting demos. It worked enough for him so that he managed to self-release an album last year, Sologne, and it seems like 2007 might be a big year for him. I actually haven't heard his new one in its entirety, but I'm so stuck on Sologne, which I discovered two weeks ago, that I don't know if that day will come very soon. Sologne is chock full of pretty harmonies, ascending choruses, and speaks of a world that sounds much more optimistic and colourful than the one I'm used to. Although the music is acoustic guitar-driven, there are a bunch of other, less common instruments used here, kind of like what Sufjan Stevens does. And despite my general description of the material, it's not just lullabyes and sugary ditties, as some songs have a pretty strong drive. For me the standout is I Love You (In With The Arms), but that is an opinion that might change, for there are so many great tracks on here. Of course the guy was in concert in London ten days ago, and I only found out about it this week, but you can bet your ABBA vinyls that when he comes back I'll be there to enjoy the musical goodness.
official site
myspace
youtube: live performance of I Love You (In With The Arms)
For some reason Sweden has been a pretty big force in the music world in the past few years, with a lot of folk-influenced artists notably. Which is good, because for a lot of people Swedish music means ABBA, and though there's a time and place for ABBA, it's not exactly the greatest thing since sliced bread (or stale one, for that matter).There are also some good rock bands out of there, like The Hives, Sahara Hotnights or the eccentric Dungen, but for me the whole Swedish folk scene has made the biggest mark. It all started in 1998 with Kristofer Astrom's brilliant Go, Went, Gone, and since then I've periodically discovered artists in that vein coming from the land of fjords, like Nicolai Dunger or Christian Kjellvander.
The newest addition to this ever-growing family is Loney, Dear. It's really one guy, called Emil Svanängen, and he makes some great pop with just a sliver of folk. I hear some Bob Wilson, some Paul Simon and others in his tunes, which is just the sort of stuff I'm looking for. He recently signed with SubPop in the US, which led them to release his new self-titled album early this month, hopefully to some success. The guy started in 2004, recording most of his stuff at home, making and selling CD-Rs of his resulting demos. It worked enough for him so that he managed to self-release an album last year, Sologne, and it seems like 2007 might be a big year for him. I actually haven't heard his new one in its entirety, but I'm so stuck on Sologne, which I discovered two weeks ago, that I don't know if that day will come very soon. Sologne is chock full of pretty harmonies, ascending choruses, and speaks of a world that sounds much more optimistic and colourful than the one I'm used to. Although the music is acoustic guitar-driven, there are a bunch of other, less common instruments used here, kind of like what Sufjan Stevens does. And despite my general description of the material, it's not just lullabyes and sugary ditties, as some songs have a pretty strong drive. For me the standout is I Love You (In With The Arms), but that is an opinion that might change, for there are so many great tracks on here. Of course the guy was in concert in London ten days ago, and I only found out about it this week, but you can bet your ABBA vinyls that when he comes back I'll be there to enjoy the musical goodness.
official site
myspace
youtube: live performance of I Love You (In With The Arms)
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