As far as its permanent collection, there' s a good mix from masters of British painting like John Millais, with a particular highlight being the prodigious Turner collection, the biggest in the world. And there's one of my all-time favorite paintings, a depiction of the Channel under a particularly resplendent sky, of which I can never seem to recall the creator, but that I've never failed to stop by on my visits to the TB. Many of the works are grouped by theme and historically, with generally insightful commentary on the signs that gives some clues as to what symbolism was placed by the artist in the work in question, which is always good for neophytes like me. One minor quibble I have is the languid heat that reigned in some of the rooms (isn't it kind of bad for paintings to have too much heat and/or humidity?).
There's also generally an exhibition for which admission is paying, whereas for the permanent collections it isn't. Right now there's one about British photography, which I would've loved to see as a big fan of photography but we preferred to spend more time in the general wings, since the friend I went with had never been to the museum.
Overall this is a museum I like going to because I always seems to discover new things each time, even though its collection is far from massive. It might not be for the more contemporary-inclined (although right now there's a couple of more modern pieces, like Mark Wallinger's recreation of the Parliament Square protest camp), but if you've got an itch for the classics and think bucolic portrayals of typical English life in the XIX century are nice to look at, you can't go wrong with this choice.
There's also generally an exhibition for which admission is paying, whereas for the permanent collections it isn't. Right now there's one about British photography, which I would've loved to see as a big fan of photography but we preferred to spend more time in the general wings, since the friend I went with had never been to the museum.
Overall this is a museum I like going to because I always seems to discover new things each time, even though its collection is far from massive. It might not be for the more contemporary-inclined (although right now there's a couple of more modern pieces, like Mark Wallinger's recreation of the Parliament Square protest camp), but if you've got an itch for the classics and think bucolic portrayals of typical English life in the XIX century are nice to look at, you can't go wrong with this choice.
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